Combos take great advantage of Adaptive Sync, allowing you to synchronize and adjust the timing of all three instruments from a single set of controls. They demonstrate how you might combine instruments to build dramatic transitions, crescendos, impacts, or other thrilling musical gestures. They feature layered combinations of three individual instruments from the other six categories.Ĭombos highlight the breadth of Pandora’s sample content. However, in a sense, the Combos aremultis. Technically, it has no multis-that is, combinations of single instrument patches contained within Kontakt’s Multi format, which allow you to stack a number of individual instruments, each with its own MIDI channel assignment, output, etc. Instrument patches are organized into seven categories: Combos, Effects, Clusters, Tonal, Pulses, Risers, and Percussion. The slimmed-down Pandora Core is only 18GB and features 48 instruments.
Project sam symphobia 4 full version#
The full version (reviewed here) weighs in at 140GB and features 148 instruments. Pandora requires version 6 or higher of Native Instruments Kontakt or Kontakt Player and is available in two sizes. It offers a wealth of sound design features and ways to customize its performance characteristics. Adaptive Sync lets you do in a snap what would previously take many minutes or even hours to craft.īut there’s much more to Pandora’s story. If the tempo of your cue changes, you end up redoing all of that work. Have you ever tried to create a musical peak with prerecorded drum and cymbal rolls or instrumental crescendos? Then you know the often-painstaking work that goes into finding the right samples, laying them into your DAW, and then (probably) time-stretching everything and fine-tuning the timing of each element by hand. That makes quick work out of what has historically been a programming nightmare. These include swells, drum rolls, tonal pulses, aleatoric phrases, etc. Beyond the multiple microphone perspectives, expertly recorded samples, and impressive collection of instruments and performances-all of which you would expect from a premium orchestral library-Pandora’s piece de resistanceis a feature ProjectSAM calls Adaptive Sync.Įssentially, Adaptive Sync automatically synchronizes and adapts Pandora’s many rhythmic samples to your DAW’s temp. Pandora is all things tension and adrenaline. This is not the library for swashbuckling melodies or pretty pads that pull at heartstrings. The emphasis is on sounds that will give your “action, sci-fi, and horror scores a blockbuster boost” in the form of cinematic risers, epic percussion, dystopian effects, menacing clusters, and more. Like the other titles in the series, Symphobia 4: Pandora focuses on specific stylistic and compositional needs rather than attempt to be a generic catch-all. The recently released Pandora, the fourth in the series, puts the developers’ creativity, ingenuity, and impeccable programming prowess on full display.
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Since then, ProjectSAM has applied this same “working composer” ethos to each of its Symphobia titles. Upon its release, it set the standard not only for ProjectSAM’s future sample libraries, but for their competitors’ products, as well.
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Symphobia 1 allows composers to quickly achieve authentic, production-ready results without having to load separate instrument patches and program sequenced performances for each individual articulation or orchestral section. This collection comprises different orchestral sections recorded together to create combined orchestral colors, articulations, and effects. Their original Symphobia library features a treasure trove of tastefully layered sample sets. Since 2001, the Netherlands-based ProjectSAM has pioneered innovative sampling and programming techniques to create libraries designed to make it easy to compose professional-grade cinematic orchestral music- fast. Whether it’s a rush job or you can take your time scoring an action film, you can’t go wrong with Pandora.